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Sophia
Student
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Questions
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Do Producers and Directors work with Video and Film Editors?
Is becoming a FIlm & Video Editors hard to become in the future?
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7 answers
James Constantine Frangos
Consultant Dietitian & Software Developer since 1972 => Nutrition Education => Health & Longevity => Self-Actualization.
6193
Answers
Gold Coast, Queensland, Australia
Updated
James Constantine’s Answer
Dear Sophia,
Do Producers and Directors Collaborate with Film and Video Editors?
Producers and directors frequently engage with film and video editors during the post-production phase. These editors are tasked with transforming raw footage into a seamless narrative, incorporating visual effects, sound effects, and music, and ensuring the final product's overall quality. Producers and directors work hand in hand with editors to communicate their vision for the project, provide constructive feedback on editing choices, and confirm that the final cut adheres to the film or video's creative direction.
Editors hold a pivotal role in determining the narrative, rhythm, and emotional resonance of a film or video production. Their proficiency in visual storytelling is crucial in unifying all project elements to create an engaging final product. Producers and directors depend on editors to convert hours of footage into a refined piece that connects with viewers.
The synergy between producers, directors, and editors is fundamental to achieving a unified and captivating final product. Efficient communication, creative contributions from all participants, and a collective vision for the project are critical elements of a fruitful collaboration in the film and video production industry.
Is it Tough to Become a Film & Video Editor in the Future?
Entering the field of film & video editing can be demanding due to the industry's competitive landscape and the technical expertise required for the job. Aspiring editors typically need to gain specialized training in editing software, understand storytelling techniques, acquire practical experience through internships or entry-level roles, and create a portfolio that highlights their editing skills.
The need for adept film & video editors is consistently high as content creation proliferates across various platforms like streaming services, television, film, advertising, and digital media. However, penetrating the industry and carving out a successful career as an editor often necessitates perseverance, commitment to refining one's skills, networking within the industry, staying updated on technological progress in editing tools, and constant skill enhancement.
While the journey to becoming a film & video editor can be challenging due to competition and skill acquisition, those with a passion for visual storytelling, an eye for detail, strong technical skills, and a willingness to put in the necessary effort can find gratifying opportunities in this vibrant field.
Top 3 Credible Sources Used:
American Cinema Editors (ACE) - ACE is a prestigious society of film editors committed to promoting the art and science of the editing profession. They offer valuable insights into industry standards, trends, and educational opportunities for budding editors.
Motion Picture Editors Guild (MPEG) - The MPEG represents professional film editors across various genres within the entertainment industry. Their publications provide information on career progression routes, industry news updates, and resources for up-and-coming editors.
ScreenSkills - ScreenSkills is an organization that supports skill enhancement in the UK's screen industries. They provide guidance on training programs, career trajectories in film editing, industry insights, and networking opportunities for those interested in a career as an editor.
God Bless You,
James C.
Do Producers and Directors Collaborate with Film and Video Editors?
Producers and directors frequently engage with film and video editors during the post-production phase. These editors are tasked with transforming raw footage into a seamless narrative, incorporating visual effects, sound effects, and music, and ensuring the final product's overall quality. Producers and directors work hand in hand with editors to communicate their vision for the project, provide constructive feedback on editing choices, and confirm that the final cut adheres to the film or video's creative direction.
Editors hold a pivotal role in determining the narrative, rhythm, and emotional resonance of a film or video production. Their proficiency in visual storytelling is crucial in unifying all project elements to create an engaging final product. Producers and directors depend on editors to convert hours of footage into a refined piece that connects with viewers.
The synergy between producers, directors, and editors is fundamental to achieving a unified and captivating final product. Efficient communication, creative contributions from all participants, and a collective vision for the project are critical elements of a fruitful collaboration in the film and video production industry.
Is it Tough to Become a Film & Video Editor in the Future?
Entering the field of film & video editing can be demanding due to the industry's competitive landscape and the technical expertise required for the job. Aspiring editors typically need to gain specialized training in editing software, understand storytelling techniques, acquire practical experience through internships or entry-level roles, and create a portfolio that highlights their editing skills.
The need for adept film & video editors is consistently high as content creation proliferates across various platforms like streaming services, television, film, advertising, and digital media. However, penetrating the industry and carving out a successful career as an editor often necessitates perseverance, commitment to refining one's skills, networking within the industry, staying updated on technological progress in editing tools, and constant skill enhancement.
While the journey to becoming a film & video editor can be challenging due to competition and skill acquisition, those with a passion for visual storytelling, an eye for detail, strong technical skills, and a willingness to put in the necessary effort can find gratifying opportunities in this vibrant field.
Top 3 Credible Sources Used:
American Cinema Editors (ACE) - ACE is a prestigious society of film editors committed to promoting the art and science of the editing profession. They offer valuable insights into industry standards, trends, and educational opportunities for budding editors.
Motion Picture Editors Guild (MPEG) - The MPEG represents professional film editors across various genres within the entertainment industry. Their publications provide information on career progression routes, industry news updates, and resources for up-and-coming editors.
ScreenSkills - ScreenSkills is an organization that supports skill enhancement in the UK's screen industries. They provide guidance on training programs, career trajectories in film editing, industry insights, and networking opportunities for those interested in a career as an editor.
God Bless You,
James C.
Jill Salvino
director
3
Answers
Asbury Park, New Jersey
Updated
Jill’s Answer
As a director, my connection to my editor is an important one.
Over time or instantaneously, (depending on the dynamic) one develops an invaluable shorthand way of communication in this process.
Allowing the people that you collaborate feel comfortable enough to bring their ideas and A-game to your production only makes the work better.
Over time or instantaneously, (depending on the dynamic) one develops an invaluable shorthand way of communication in this process.
Allowing the people that you collaborate feel comfortable enough to bring their ideas and A-game to your production only makes the work better.
Steve Jacobson
Creative Leader/Content Creator/Producer/Editor/Storyteller
51
Answers
Westlake Village, California
Updated
Steve’s Answer
Depending on the type of editor you're referring to, they often collaborate with directors and producers. Interestingly, some editors even take on the role of producers, particularly in the marketing sector, where they're known as 'Preditors'. In conventional TV and film production, editors primarily work with directors. However, when it comes to marketing videos or non-entertainment content, editors typically collaborate with the producer or the creative director. Ultimately, the person responsible for the project's vision is the one the editor works with.
The industry is continually evolving, especially with the advent of AI. Predicting its future impact on post-production and the editorial process can be challenging. However, in my view, acquiring a solid education in this field and networking with industry professionals will set you on the right path to becoming an editor. This will also help you gain a comprehensive understanding of how production operates and the significance of planning during pre-production and production for the post-production process. You'll also get to understand the true meaning of "Fix it in post!".
Best wishes on your journey.
The industry is continually evolving, especially with the advent of AI. Predicting its future impact on post-production and the editorial process can be challenging. However, in my view, acquiring a solid education in this field and networking with industry professionals will set you on the right path to becoming an editor. This will also help you gain a comprehensive understanding of how production operates and the significance of planning during pre-production and production for the post-production process. You'll also get to understand the true meaning of "Fix it in post!".
Best wishes on your journey.
Gregory Andracke
Cinematographer
17
Answers
New York, New York
Updated
Gregory’s Answer
The essence of a director's collaboration with an editor is well encapsulated in previous discussions, yet there's a fair amount of interchangeability. To me, the hallmark of a competent editor is their ability to weave a compelling narrative. This holds true irrespective of whether the editor is directly collaborating with the director or working on a project where the director's role has concluded, and the editor has to orchestrate a cohesive story using video and sound.
This can be seen in reality shows, particularly those centered around crime. The producer, acting as a de facto director/writer, is on location with the camera crew, conducting interviews and supervising the filming of supporting scenes. However, due to regulations set by the Director Guild of America (DGA) & Writer Guild of America (WGA), they don't receive the official credit. If the show falls under DGA & WGA contracts, the director/writer could be eligible for pension benefits and residuals upon re-airing or selling of the program.
Typically, the producer, upon returning from the field, hands over the footage to an editor and provides a guiding script. The producer's collaboration with the editor can be either in-person or remote, depending on various factors. The latter has become increasingly common due to the Covid pandemic.
Looking ahead, the prospect of AI taking over editing duties is becoming more plausible. However, a human touch - be it from a producer, editor, or writer - is crucial to ensure the final product conveys the intended message to the viewers. In other words, while I can't predict the future of editing, it's likely that budget-friendly productions might lean towards AI.
This can be seen in reality shows, particularly those centered around crime. The producer, acting as a de facto director/writer, is on location with the camera crew, conducting interviews and supervising the filming of supporting scenes. However, due to regulations set by the Director Guild of America (DGA) & Writer Guild of America (WGA), they don't receive the official credit. If the show falls under DGA & WGA contracts, the director/writer could be eligible for pension benefits and residuals upon re-airing or selling of the program.
Typically, the producer, upon returning from the field, hands over the footage to an editor and provides a guiding script. The producer's collaboration with the editor can be either in-person or remote, depending on various factors. The latter has become increasingly common due to the Covid pandemic.
Looking ahead, the prospect of AI taking over editing duties is becoming more plausible. However, a human touch - be it from a producer, editor, or writer - is crucial to ensure the final product conveys the intended message to the viewers. In other words, while I can't predict the future of editing, it's likely that budget-friendly productions might lean towards AI.
Kathy Chan
Videographer/Photographer
23
Answers
Philadelphia, Pennsylvania
Updated
Kathy’s Answer
The short answer is: yes, but it depends on the type of project (and preference). For film and TV, Directors tend to be more involved in the Post-Production department. Producers tend to be more involved in the planning & distributing phases and leave creative direction to their Directors, DPs and editors.
In more corporate Videography settings, you'll find that Directors can have a more hands-off approach, but still provide feedback and notes concerning the look and feel for the final video. They're still involved, but not as much as they would be for film & TV.
In my experience as a Videographer, I've dealt with both sides of the coin and find that it all really comes down to preference. More experienced Directors tend to be more meticulous with their vision, guiding their editor through every second of every piece of footage. On the flipside, I've had many directors allow me to take the Creative wheel and trust me to bring about their vision with I see would work best.
To answer you next question, no it really isn't difficult to become a Film/Video Editor. It all depends on what path you'd decide on, what you like editing, and if you prefer working in Film & Television or if you're considering a more corporate setting.
In more corporate Videography settings, you'll find that Directors can have a more hands-off approach, but still provide feedback and notes concerning the look and feel for the final video. They're still involved, but not as much as they would be for film & TV.
In my experience as a Videographer, I've dealt with both sides of the coin and find that it all really comes down to preference. More experienced Directors tend to be more meticulous with their vision, guiding their editor through every second of every piece of footage. On the flipside, I've had many directors allow me to take the Creative wheel and trust me to bring about their vision with I see would work best.
To answer you next question, no it really isn't difficult to become a Film/Video Editor. It all depends on what path you'd decide on, what you like editing, and if you prefer working in Film & Television or if you're considering a more corporate setting.
Lawrence Richards
Television Producer
12
Answers
Tampa, Florida
Updated
Lawrence’s Answer
Not necessarily Producers, although it's possible, but definitely the Director. In fact, it's common for the Director to be the Editor although in my experience this isn't necessarily the best scenario (unless there's no money in the budget for an editor). I feel it's important for a Director to be able to work with someone who not only shares the Director's vision but who also can bring their own perspective to the project. It's very hard, if not impossible for one person to be able to see, hear and think of everything on their own so to have someone else make suggestions can be really helpful and impactful.
Joaquin Hight
1
Answer
Updated
Joaquin’s Answer
Hi Sophia!!
To answer your first question, directors are typically very hands-on with the editing process, usually giving the editor detailed descriptions about how they want scenes edited. They often talk to the editor about what their vision is and how they want scenes to be done. Sometimes really bad editing decisions is out of an editor’s hands because the director tells them to handle it a certain way.
Hope this helps!
To answer your first question, directors are typically very hands-on with the editing process, usually giving the editor detailed descriptions about how they want scenes edited. They often talk to the editor about what their vision is and how they want scenes to be done. Sometimes really bad editing decisions is out of an editor’s hands because the director tells them to handle it a certain way.
Hope this helps!