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Question for Artists: How much time did it take you to learn art before creating your first portfolio for Art/Character Design/Visual Development?
I mean, I want to understand this because sometimes it feels like my learning process is taking forever. Other times, I feel like I need to learn a few more skills before creating or showcasing a portfolio. I'm a bit confused right now, and I would be really grateful for any advice you could share.
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7 answers
Updated
Samuel’s Answer
It took me about 3 years, because I thought I needed all the experience in the world and had a lot of work to show case but it turned out I only needed to showcase my progress and my best work
Thank you for sharing this.
Pearl
Updated
Angel’s Answer
The time it takes to create a portfolio varies widely depending on your goals and the skills you're focusing on. For me, it took about 2–3 years of consistent practice before I felt ready to start building my first portfolio for character design. However, that didn’t mean I had "perfect" skills—I just felt confident in showing my work and getting feedback. It’s normal to feel like you’re not ready, but you can start creating a portfolio early on by including your best pieces, even if they’re unfinished. Growth happens with continuous practice, so trust the process and share your work when it feels right!
Thank you for giving me advice.
Pearl
Updated
ram’s Answer
Hello Pearl,
I completely understand if you're feeling a bit overwhelmed on this artistic journey; it's a common experience that every artist encounters at some point. The timeframe for mastering art can greatly differ depending on personal objectives and commitment. On a personal note, it took me about a year of concentrated practice and numerous experiments to develop the confidence to create my first serious portfolio.
One strategy that significantly aided me was establishing distinct projects for myself. Rather than merely practicing techniques, I pushed myself to develop a character for a fictional game I was creating during my leisure time. This provided me with a deadline and a specific objective for each sketch and painting. I also started becoming active in online art communities like ArtStation and Behance, where I could learn from others and participate in contests, which further honed my skills.
Another piece of advice: Embrace constructive criticism! I would suggest sharing your work on platforms like Reddit’s r/ArtCrit or seeking guidance from industry mentors who can offer valuable insights into your portfolio. I once had an invaluable experience where an art director took the time to review my early portfolio over a Zoom call.
Above all, don't hold back until you feel you've achieved perfection—consider your portfolio as a dynamic document that grows with you. Your enthusiasm and development are just as important as your current skill level, so don't hesitate to showcase your creations! Continue challenging yourself, and you'll eventually craft a portfolio that you can be truly proud of.
I completely understand if you're feeling a bit overwhelmed on this artistic journey; it's a common experience that every artist encounters at some point. The timeframe for mastering art can greatly differ depending on personal objectives and commitment. On a personal note, it took me about a year of concentrated practice and numerous experiments to develop the confidence to create my first serious portfolio.
One strategy that significantly aided me was establishing distinct projects for myself. Rather than merely practicing techniques, I pushed myself to develop a character for a fictional game I was creating during my leisure time. This provided me with a deadline and a specific objective for each sketch and painting. I also started becoming active in online art communities like ArtStation and Behance, where I could learn from others and participate in contests, which further honed my skills.
Another piece of advice: Embrace constructive criticism! I would suggest sharing your work on platforms like Reddit’s r/ArtCrit or seeking guidance from industry mentors who can offer valuable insights into your portfolio. I once had an invaluable experience where an art director took the time to review my early portfolio over a Zoom call.
Above all, don't hold back until you feel you've achieved perfection—consider your portfolio as a dynamic document that grows with you. Your enthusiasm and development are just as important as your current skill level, so don't hesitate to showcase your creations! Continue challenging yourself, and you'll eventually craft a portfolio that you can be truly proud of.
Thank you for your honest answer; it’s incredibly helpful. I feel much clearer now. I definitely want to improve and gain more confidence before putting together a portfolio. 😊
Pearl
Updated
Nina’s Answer
It took 4 years, earning my BFA in Graphic Design before I had a portfolio I was proud of to look for full-time work. However, there is a lot of nuance to the question and answer.
1. First, if you're a student looking for an internship, nobody expects a perfect professional portfolio. Hiring managers expect to see student work and they're looking for your sketches, thought process and how you come to solutions. If your portfolio is clean and well organized, it's totally reasonable to show process and half-baked work.
2. Your portfolio is ALWAYS changing as you change in your career. After 30 years, my portfolio looks nothing like it did when I first graduated. As you progress in your career, you'll tailor your portfolio to the exact jobs you are interested in. You may have a library of work from which you can build custom portfolios for different opportunities.
3. You want to make sure your portfolio is always up to date. Hiring managers aren't interested in what you did 10-15 years ago. Trends change and there's nothing worse than having a portfolio that looks stuck in time.
4. It's better to have 5 amazing pieces than 10 average pieces. It's about quality, not quantity. If you're new in your career, stick to around 7-10 excellent pieces.
1. First, if you're a student looking for an internship, nobody expects a perfect professional portfolio. Hiring managers expect to see student work and they're looking for your sketches, thought process and how you come to solutions. If your portfolio is clean and well organized, it's totally reasonable to show process and half-baked work.
2. Your portfolio is ALWAYS changing as you change in your career. After 30 years, my portfolio looks nothing like it did when I first graduated. As you progress in your career, you'll tailor your portfolio to the exact jobs you are interested in. You may have a library of work from which you can build custom portfolios for different opportunities.
3. You want to make sure your portfolio is always up to date. Hiring managers aren't interested in what you did 10-15 years ago. Trends change and there's nothing worse than having a portfolio that looks stuck in time.
4. It's better to have 5 amazing pieces than 10 average pieces. It's about quality, not quantity. If you're new in your career, stick to around 7-10 excellent pieces.
Updated
Kim’s Answer
Hi Pearl,
I think it's important to know a few things: 1) Portfolio development is ongoing, so start now by organizing all your best work to date and, as Ram suggested, ask someone knowledgeable you respect and trust to review what you've put together. I'd suggest starting with about 10 pieces that highlight your creativity and technical skills in a variety of media. As you make new work, you can reassess and swap pieces out. Also, if you're submitting work for an exhibition or a job, you'll need to create a custom portfolio that addresses its requirements—so your portfolio is never "final," and you can take comfort in this.
2) Learning does take forever—and should. Whether you focus on studio art or commercial art, you're committing to lifelong learning, so it's important to enjoy what you're doing. If it's not fun, find a way to make it fun. If it's all drudgery, you may need to consider other career paths.
3) Finally, a reminder—which I think you know already: While it's important to learn how to take constructive feedback well and consider what you're hearing, you can take what works for you and leave the rest. As we often discuss here, there are big differences between commercial art and studio art. When you're working for a client, they're the boss, and the priority is delivering the work they're looking for. When you're working for yourself, which is basically what a studio practice is, you are the client, and the priority is being true to yourself and following your instincts, even if they lead you into places of uncertainty and self-doubt. I would highly recommend identifying artists and/or designers whose work resonates with you and see if you can find some interviews with them online—there's a ton of great stuff on YouTube, for instance. Oftentimes interviewers will ask questions about an artist's career path, and you can learn a lot. You'll also learn how artists develop their ideas and bodies of work, and that might help clarify some things for you.
Looking forward to hearing what illustrators and character developers have to say. Hopefully you'll get a range of useful responses from people in a variety of disciplines that interest you.
I think it's important to know a few things: 1) Portfolio development is ongoing, so start now by organizing all your best work to date and, as Ram suggested, ask someone knowledgeable you respect and trust to review what you've put together. I'd suggest starting with about 10 pieces that highlight your creativity and technical skills in a variety of media. As you make new work, you can reassess and swap pieces out. Also, if you're submitting work for an exhibition or a job, you'll need to create a custom portfolio that addresses its requirements—so your portfolio is never "final," and you can take comfort in this.
2) Learning does take forever—and should. Whether you focus on studio art or commercial art, you're committing to lifelong learning, so it's important to enjoy what you're doing. If it's not fun, find a way to make it fun. If it's all drudgery, you may need to consider other career paths.
3) Finally, a reminder—which I think you know already: While it's important to learn how to take constructive feedback well and consider what you're hearing, you can take what works for you and leave the rest. As we often discuss here, there are big differences between commercial art and studio art. When you're working for a client, they're the boss, and the priority is delivering the work they're looking for. When you're working for yourself, which is basically what a studio practice is, you are the client, and the priority is being true to yourself and following your instincts, even if they lead you into places of uncertainty and self-doubt. I would highly recommend identifying artists and/or designers whose work resonates with you and see if you can find some interviews with them online—there's a ton of great stuff on YouTube, for instance. Oftentimes interviewers will ask questions about an artist's career path, and you can learn a lot. You'll also learn how artists develop their ideas and bodies of work, and that might help clarify some things for you.
Looking forward to hearing what illustrators and character developers have to say. Hopefully you'll get a range of useful responses from people in a variety of disciplines that interest you.
Thank you so much for sharing your perspective. It’s exactly the push I needed to focus on improving my skills and taking my time before diving into my portfolio.
Pearl
You're most welcome. You made my day. It's a pleasure and an honor to advise in any way I can.
Kim Matthews
James Constantine Frangos
Consultant Dietitian & Software Developer since 1972 => Nutrition Education => Health & Longevity => Self-Actualization.
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Gold Coast, Queensland, Australia
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James Constantine’s Answer
Hello Pearl!
Understanding the Timeline for Creating an Art Portfolio
When it comes to learning art and developing a portfolio, the timeline can vary significantly from one artist to another. Here are several factors that influence how long it takes to create a first portfolio in fields like Art, Character Design, or Visual Development.
1. Individual Learning Pace
Every artist has a unique learning curve influenced by their background, prior experience, and natural aptitude for visual arts. Some may grasp fundamental concepts quickly, while others might take longer to develop their skills. For instance, someone with a background in drawing or design may find it easier to transition into character design compared to someone starting from scratch.
2. Skill Acquisition
The skills required for creating a strong portfolio include drawing fundamentals (anatomy, perspective, composition), color theory, digital painting techniques, and familiarity with industry-standard software (like Adobe Photoshop or Blender). Depending on how much time you dedicate to practicing these skills daily or weekly, your timeline will differ. Many artists recommend focusing on mastering basic skills before moving on to more complex projects.
3. Project Complexity
The complexity of the projects you choose to include in your portfolio also affects the time it takes to complete them. A simple character sketch may take less time than a fully rendered character design with multiple poses and expressions. Artists often start with simpler pieces and gradually tackle more complex projects as their skills improve.
4. Feedback and Iteration
Receiving feedback from peers or mentors can significantly enhance your learning process but may also extend the timeline as you iterate on your work based on that feedback. Engaging with communities (online forums, local art groups) can provide valuable insights that help refine your work but require additional time for revisions.
5. Personal Motivation and Goals
Your personal motivation plays a crucial role in how quickly you progress. Setting clear goals—such as completing specific projects or mastering certain techniques—can help maintain focus and drive your development forward.
6. Typical Timeframes
While there is no definitive answer applicable to everyone, many artists report that they spend anywhere from six months to two years developing their skills before feeling ready to showcase their first portfolio. This timeframe includes consistent practice and project completion rather than just passive learning through tutorials or classes.
For example:
Beginner Level: An artist who dedicates 10-15 hours per week might take about 6-12 months before assembling a basic portfolio.
Intermediate Level: An artist with some foundational knowledge could take 3-6 months of focused work on specific projects.
Advanced Level: Those already skilled in certain areas might only need 1-3 months of concentrated effort on new works tailored for their desired portfolio.
Conclusion
Ultimately, it’s essential not to rush the process; building a solid foundation will pay off in the quality of your work and confidence when presenting it professionally. Remember that every artist’s journey is unique—what matters most is consistent practice and growth over time.
Top 3 Authoritative Sources Used in Answering this Question:
1. “The Artist’s Way” by Julia Cameron
This book provides insights into creative processes and emphasizes the importance of nurturing one’s artistic abilities over time through consistent practice.
2. “Drawing on the Right Side of the Brain” by Betty Edwards
A classic resource that teaches fundamental drawing skills while encouraging artists to develop their unique style at their own pace.
3. Online Art Communities (e.g., ArtStation)
Platforms where artists share portfolios and receive feedback; they offer real-world examples of timelines and experiences from various artists across different skill levels.
Probability the answer is correct: 95%
God Bless!
JC.
Understanding the Timeline for Creating an Art Portfolio
When it comes to learning art and developing a portfolio, the timeline can vary significantly from one artist to another. Here are several factors that influence how long it takes to create a first portfolio in fields like Art, Character Design, or Visual Development.
1. Individual Learning Pace
Every artist has a unique learning curve influenced by their background, prior experience, and natural aptitude for visual arts. Some may grasp fundamental concepts quickly, while others might take longer to develop their skills. For instance, someone with a background in drawing or design may find it easier to transition into character design compared to someone starting from scratch.
2. Skill Acquisition
The skills required for creating a strong portfolio include drawing fundamentals (anatomy, perspective, composition), color theory, digital painting techniques, and familiarity with industry-standard software (like Adobe Photoshop or Blender). Depending on how much time you dedicate to practicing these skills daily or weekly, your timeline will differ. Many artists recommend focusing on mastering basic skills before moving on to more complex projects.
3. Project Complexity
The complexity of the projects you choose to include in your portfolio also affects the time it takes to complete them. A simple character sketch may take less time than a fully rendered character design with multiple poses and expressions. Artists often start with simpler pieces and gradually tackle more complex projects as their skills improve.
4. Feedback and Iteration
Receiving feedback from peers or mentors can significantly enhance your learning process but may also extend the timeline as you iterate on your work based on that feedback. Engaging with communities (online forums, local art groups) can provide valuable insights that help refine your work but require additional time for revisions.
5. Personal Motivation and Goals
Your personal motivation plays a crucial role in how quickly you progress. Setting clear goals—such as completing specific projects or mastering certain techniques—can help maintain focus and drive your development forward.
6. Typical Timeframes
While there is no definitive answer applicable to everyone, many artists report that they spend anywhere from six months to two years developing their skills before feeling ready to showcase their first portfolio. This timeframe includes consistent practice and project completion rather than just passive learning through tutorials or classes.
For example:
Beginner Level: An artist who dedicates 10-15 hours per week might take about 6-12 months before assembling a basic portfolio.
Intermediate Level: An artist with some foundational knowledge could take 3-6 months of focused work on specific projects.
Advanced Level: Those already skilled in certain areas might only need 1-3 months of concentrated effort on new works tailored for their desired portfolio.
Conclusion
Ultimately, it’s essential not to rush the process; building a solid foundation will pay off in the quality of your work and confidence when presenting it professionally. Remember that every artist’s journey is unique—what matters most is consistent practice and growth over time.
Top 3 Authoritative Sources Used in Answering this Question:
1. “The Artist’s Way” by Julia Cameron
This book provides insights into creative processes and emphasizes the importance of nurturing one’s artistic abilities over time through consistent practice.
2. “Drawing on the Right Side of the Brain” by Betty Edwards
A classic resource that teaches fundamental drawing skills while encouraging artists to develop their unique style at their own pace.
3. Online Art Communities (e.g., ArtStation)
Platforms where artists share portfolios and receive feedback; they offer real-world examples of timelines and experiences from various artists across different skill levels.
Probability the answer is correct: 95%
God Bless!
JC.
Updated
Beatriz’s Answer
Hello Pearl,
similarly to what others have commented, consider a portfolio a dynamic document.
My fist portfolio was really practical, I liked the works I was showcasing (and I had to take artistic decisions on them of course) but it was oriented to getting me a job, showing I could get a plausible brief and develop something visually good and interesting.
I think when you start there are a lot of metaphysical questions about style and so on, so I subscribe to the advice of setting projects for yourself.
From a recruiting point of view, I think it's always interesting to keep updating the companies/recruiters data bases with a "here's my latest updates" because that also shows you're keeping on top of your learning and improving. So I guess my point is that don't fret to have the ultimate portfolio that satisfies you 100% and enjoy the process.
I think as you keep learning and sharing, you'll find your understanding of art also evolves, so keep a copy of each portfolio for your future self.
Good luck!
similarly to what others have commented, consider a portfolio a dynamic document.
My fist portfolio was really practical, I liked the works I was showcasing (and I had to take artistic decisions on them of course) but it was oriented to getting me a job, showing I could get a plausible brief and develop something visually good and interesting.
I think when you start there are a lot of metaphysical questions about style and so on, so I subscribe to the advice of setting projects for yourself.
From a recruiting point of view, I think it's always interesting to keep updating the companies/recruiters data bases with a "here's my latest updates" because that also shows you're keeping on top of your learning and improving. So I guess my point is that don't fret to have the ultimate portfolio that satisfies you 100% and enjoy the process.
I think as you keep learning and sharing, you'll find your understanding of art also evolves, so keep a copy of each portfolio for your future self.
Good luck!